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More Than a Love Story: The Woman Behind the Music

More Than a Love Story: The Woman Behind the Music

 

 

She was 15 years old and she used her cousin’s ID to get through the door.

Suzette Gargiulo had no idea who was playing that night at the Long Island club. She had heard there was a girl band. She walked in and found something completely different — a loud, chaotic, completely unknown hard rock band with almost no money and almost no following, playing to a small crowd in a dive bar.

The frontman saw her immediately.

His name was Dee Snider. He was 21. He later said he saw her and flipped. She was this Italian beauty he had never seen before, and the moment the show was over he found a way to introduce himself.

 

 

 

Then he told her something that should have sounded absurd coming from a struggling singer in an unknown band playing a tiny club on Long Island.

He told her he was going to be famous one day.

She believed him.

That was 1976.

What followed was not a simple love story. It was a working partnership that most people have never fully understood, because the history of Twisted Sister is usually told as the story of one person, and it was always the story of two.

Suzette Gargiulo became Suzette Snider. She also became the person who designed the band’s logo, did their makeup, and made Dee’s costumes. The visual identity that made Twisted Sister impossible to look away from — the outrageous glam-metal look, the war paint, the theatrical excess that would dominate MTV in the early 1980s — that came from her hands. Dee told The Sydney Morning Herald in 2019 that she was “a costume designer who came up with the band’s logo, did our make-up, and made my costumes.” Yahoo! Their son Shane later said on a podcast that it would be safe to call his mother one of the masterminds behind Twisted Sister.

 

 

 

She never stood onstage. She never took a bow. The image the world recognised belonged, in significant part, to someone the world never saw.

The years before fame were real in the way that struggling years always are. They married in 1981. Their first child was born in 1982. The band had not yet broken through. There was no guarantee they ever would. Most bands that work as hard as Twisted Sister worked in the late 1970s and early 1980s never make it. They kept going anyway.

Then 1984 arrived. We’re Not Gonna Take It. I Wanna Rock. The entire world suddenly knew who Twisted Sister was.

And that is when things almost fell apart.

Dee Snider has been honest about this in interviews. Success went to his head. By his own account, he became a megalomaniac. The man who had once told a 15-year-old girl he would be famous was now famous and had lost the ability to see clearly. They went to counselling. The marriage came very close to ending.

It did not end.

Then came the 1990s. The hits stopped. The spotlight moved on. They went through what Dee has described as double bankruptcy. He was riding a bicycle to a desk job, answering phones, married with three children, the money gone and the fame gone. He said later: “People need to hear those stories and know they’re not alone.” Newsweek

And through all of it, Suzette stayed.

Dee wrote publicly: “When I had nothing Suzette was there. When I made it big in the 80s she was there. When I lost it all in the 90s she was there — and I never thought for a second she might leave me. And today she is still with me. To the end.” Bored Panda

They have four children. They have grandchildren. They are still married.

In 2018, Suzette marked the anniversary of the night they met with a post that said she met the man of her dreams in a bar 42 years earlier. That she was grateful for everything he had brought to her life. That she loved him forever and forever.

 

 

 

 

Most people who know the name Twisted Sister know the songs. Most people who know the face know the makeup and the costumes and the logo. Very few people know who designed them, and who kept the man behind them standing upright when he was not capable of doing it himself.

A 15-year-old girl sneaked into a show on her cousin’s ID in 1976 and believed in someone before anyone else did.

She is still there.

Share this with someone who has been quietly building something the world will eventually recognise.

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